Manual Calculation Of Recurring Deposit

Animasivo 2010 - Winners

Yesterday evening on the street Regina, in the Historic Center of Mexico City were projected outside the honorable mentions, Winners of the third festival Animasivo , as well as commissioned pieces. The central issue revolved around the year 2110, projecting the future , in which contestants were invited to reflect on the future in the next century. So far, only the first place winner in YouTube shares short in that part, however, as the rest decide to do the same, will be published without fail.

Third place was awarded to the collective flash in the pan, even I got the first site last year with his work Big Bang. On this occasion, Without Trial, Judgement resorted to apocalyptic forward, without forgetting the rubric that identifies them, always with a twist that ends the outcome.

Second place went to Pedro González and Héctor Dávila for his work on Cat Botox for my taste a bit out of place, since they never surfaced the idea or the concept of projecting the year 2110, albeit with a level of outstanding animation.


The first place went Nuria Menchaca, Honorable Mention a year ago, who returns for twelve months after the rematch. I think it was the work most effectively met the requirements of the notice, proposed a Mexico as different as the views of his interviewees, who from start to shape the urban landscape, culminating in the founding of re The noctitlan .

Congratulations to the winners recognized and participants who fed their works to the festival which has already positioned itself as a basic reference, perhaps the most important of our country in terms of animation technique is concerned.

Animasivo 2010 Nuria Menchaca The noctitlan fmx

Blood Vessels In Lips

Gruma, lots, moods and the Bicentennial

A little less than six months to commemorate 200 years since the beginning of the War of Independence and 100 years of Mexican revolution, efforts to bring the celebrations (if there is reason) to have performed on national television at the height of the current instability, typical of a country without direction.

Failure breathes creativity everywhere: from e-conformist by federal agencies that advocate for a society PLC: "... follow the tranquil flow of peace, to achieve the wide sea of \u200b\u200bjustice", "... you are a maverick country but worker "to a long list platitudes that could well accompany its definition in the dictionary.


unbearable to say about Mexico's discuss critical dialogue , program no doubt where the knowledge of its participants, experts in history and culture of our country, but that does not exceed the least remote. With language and concepts used in each issue secrete more than half of viewers who barely completed, the best, basic education. Then then where national unity is to confirm that we are all Mexico? Clear to me that if independence had begun just 30 years before the result would have been the same, it is evident that Mexico's discuss transmitting simulates air television for decades. Sad and amazing that in the XXI century is not yet understood the nature and use of television language, even for historical anniversaries.

worst is when resorting to plagiarism, indicate strike the case, but that Televisa has opted for a campaign as frivolous as natural landscapes and above of the Bicentennial Stars call only confirm characteristics of postmodernism, you know: stop importing the contents of the message to reassess the way it is transmitted and the degree of conviction which can produce, aka media hype, and a distorted historical memory or no: What is about the desert, sea and rail with armed uprisings in search of ideals like freedom and justice? Nothing. The cult of empty and nothing more.

However, a few weeks over here, two concepts have filtered audiovisual to the small screen and have shown how things are done in 2010. Of course, in both cases the technical resources is the animation, another success generates more than in short yes gems worth being reviewed.


The first arises from the Mexican private capital, (surprise, surprise), specifically Gruma, the largest producer of corn flour and tortillas in the world. Bicentennial His campaign is so good, so professional, so efficient that let me skip to a certain extent, that base their products from transgenic crops and environmental risks which is a homogeneous hybrid seed and also monopolize the means of agricultural production.

has so far issued two commercials, thanks to its high quality has had an excellent impact on the care of friends and strangers. The first celebrates the people of maize, the staple food seeds in Mesoamerica and in force to this day in Mexico and parts of Latin America. Start with a visual journey that goes from heaven to earth and vice versa, emphasizing the importance of the agricultural cycle. That's what I mean by the correct use of language television.


The second is based on the Aztec legend which gives its name, identity and meaning to Popocatepetl and Iztaccihuatl , volcanoes flanking the valley of Mexico. A masterful visual synthesis, insist on efficiency narrative, therefore, that in a few seconds the essence of history is understood without a hitch. Real one thanks to occur content of such caliber.

The next case comes from joint efforts between The Mexican Institute of Cinematography (IMCINE) and the National Chamber of Electronic Industry of Telecommunications and Information Technology (CANIETI). The anthology includes of 25 animated shorts called Lot, moods and short stories of Independence and the Revolution.

The success of this film production, in charge of Battalion 52, lies in focusing their inspiration curious aspects of national history. Far from solemn lessons about the historical characters, their foundations and ideological motivations, the narrative wanders by social recesses so often excluded from the relevant texts. Reconstructs daily passages which in turn, acknowledge links with the causes and consequences of transcendent historical facts.


are transmitted in showrooms cinema from October 15, 2009. However, for a week take a few minutes in programming Channel 22, just after the cultural news News 22, around 20:00 hrs. if they have no objection to have fun and learn a bit here is the recommendation. Gruma

Bicentennial Independence Moods Lot 52 Battalion

Russianbare Last Free Pic

My heroes are my father and my grandparents. Dynamic Theatre Chandra

Juan Carlos Chandro . Writer of stories for children.

'You are my hero' . Editorial SM. Collection 'Steam Boat'

Ausejo
Natural
degree in Philosophy from the University of Zaragoza, Juan Carlos Chandro accounted for more than a dozen books published, all aimed at young readers. These include 'A dream round' (Illustrated Children's Literature Award Tombatossals), 'The most famous egg-city', 'Paquito and Pack' 'I love you a lot', 'Magical Kisses',' The magical songs', 'buzz cataplum', 'A nanny care', 'Maripuzzle the destrozona', 'Rose is a mess',' Rosa's birthday (and Victoria) ',' Rosa against guarrocacas', 'You are my hero' ...

- What do you look earlier, didactic tone or a good story?

"A good story, no doubt. A story for children to amuse or excite them or heating them in some way. If you also teach them something, icing on the cake.

- Today's children are not used everyday heroes, as opposed to movies or video games, books are laudable but difficult mission. Will they manage to convince the reader?

"The evidence has great power of conviction and 'You are my hero' tells the children something that is obvious but that should tell you from time to time, that their lives are full of achievements are constantly facing your fears and overcoming them, and that this equates with the fictional heroes who so admire.

- Although there are fantasy, the stories are basically everyday. Can capture child care without exaggerating the imagination?

"Kids like fantasy stories, but they also like, and I would especially like them, stories that recreate situations that are familiar and are featuring characters they can relate to.

- With this book back to pictures of one of its top artists, Gonzalo Izquierdo. Why?

-Gonzalo and I are friends. When I lived in Madrid we went out together and now I live in Logroño comes to visit frequently. From time to time we like to do a story together, and I delighted because his illustrations always improve my stories.

- You've written stories for children, books for young ... for all the early ages. What time frame a story known to a certain age?

"It's not the same as writing for children learning to read that for children aged 9 to read fluently. The age at which a story is directed depends on everything: the level of vocabulary, techniques and even humorous extension. Therefore, before drawing the first word of a story, meditate deeply for how old I am going to write. And until I have it clear not start writing it down.

- And who says' You are my hero "?

- My father and my grandparents. I remember when I was 15 I went by bus to town and sat down beside me an old man in a village near the mine and struck up conversation. I told him that was Ausejo, he said he knew many people there and asked me who my grandparents. I replied: "Maximum Chandro and Pius Ramírez." Exclaimed with admiration: "Damn! Well, as you look like them ...!». Being the grandson of farmers felt part of the aristocracy. Of the aristocracy of the good people.

Interview by Diego Marín for the newspaper "La Rioja".

Use Of Progesterone Soft Gelatin Capsule

(in) dynamic position / Ars Electronica 2010 Mexico Mexico

Ars Electronica, the festival of electronic arts more important internationally, is presented for the first time in Mexico through of (in) dynamic position, sample of eight parts and an educational program that revolve around the flow of information and reflect on the use and impact of technology on contemporary society.

The work of 25 artists will be exhibited in four locations as follows: Spain Cultural Center shows the parts of Telephony Mariano Sardon and Life Writer of Christa Sommerer & Laurent Mignonneau , at the Laboratorio Arte Alameda Hylozoic Soil of Philip Beesley, Zee of Kurt Hentschläger , Solar of Rejane Cantoni & Leonardo Crescenti and finally Corpora in if (gh) te of the Collective doubleNegativesArchitecture .

particular site is presented in Apnea of Ivan Abreu that is installed in the subway vent, located on the left side of the forecourt of the Palace of Fine Arts, for its part (19 ° 18'51 "N, 99 ° 11.7 'W) of Pablo Valbuena was shown on 13 and 14 March in the front MUAC of University City.

During the press tour at the Laboratorio Arte Alameda are attended by the invited artists, who orally explained the concept proposed in each of his pieces:

Corpora in if (gh) te
doubleNegatives Architecture / Sota Ichikawa, Max Rheiner, Ákos Maroy, Kaoru Kobata / 2007


Although a project that talks about the architectural space, from its origins drain the idea of \u200b\u200barchitecture as a building for architectural practice and thought. Corpora is a hybrid installation, which display is obtained from augmented reality technology.

A network of sensors is placed around the exhibition space, through which information is captured on the environment (wind speed and direction, temperature, humidity and noise), which are processed by software and translated on the nodes that articulate the sensory network. These nodes are like seeds of a virtual architecture that grows and adapts, independent decision making and leads to architectural structures both within and outside the exhibition venue.

Corpora can be defined as information based architecture rather than physical materials, as fluency as a way of life is achieved from the data obtained by the sensor network, which in turn simulates the sensory capacity of human skin, capable of detecting climate changes in the environment. Solar


Rejane Cantoni / Leonardo Crescenti, Brazil, 2007

Solar
a robotic platform, interactive and immersive. It is designed to simulate the qualities and intensity of sunlight in space-time relationship of human beings. In the center of the room are placed two metal arches (one mobile and one fixed) containing rails on which slides a dimmer light reflector, whose movement is the result of the interpretation that the system performs based on data entered by users. On the wall was a projection panorama that reveals the geographic coordinates of the Earth, also changing according to the latitudes and longitudes entered by visitors.

The idea is to point out the missing link between the movement of the stars and people, since every time we bother least to observe daily into space. Zee


Hentschläger Kurt, Austria, 2008

Zee
is a smoke-filled room artificial light pulses, strobes and sounds by way of immersion experience leads to total confusion in perception. The audience enters into a space full of heavy fog, so that the boundaries of architecture are completely obscured. Stroboscopic devices and the pulse of light through the smoke created, kinetic structures in constant flux.

What stands out in this immersive space is that the fleeting impression that is generated at the level of experience, is the direct result of a phenomenon of interference of light waves, in this way, Zee beyond the idea be a simple visual perception. This phenomenon is captured by way of synthesis in the brain, which immediately became a "landscape of the mind." The experience is unique, never seen! Soil Hylozoic


Philip Beesley, Canada, 2009


This facility is made available as a "geared textile" signaling processes of hybridization of natural forms made with materials technology. The materials are placed by way of artificial forest where the "fabric" acts as a component interconnection matrices mechanical, networks of sensors and actuators that respond to movement of visitors as they move through the installation. Soil Hylozoic

is also a place of immersion, uses a network of sensors activated by dozens of microprocessors that generate waves of subtle movements to visitors who enter the facility. Appear so different levels of activity programs that promote the emergence of a coordinated spatial behavior: they respond with specific actions to local action. The forest is revealed as a dormant body.

To Philip Beesley is necessary to think of technology not as excessive force, but as a field of study and intimate sense. We must therefore specify the difference between artificial life and artificial intelligence, self-concepts of each other. Soil Hylozoic brings forth a new architectural research that uses technology systems to create spaces for interaction and response to its inhabitants, as well as environmental factors.

(in) dynamic position / Ars Electronica Mexico is a sign that should not miss. The exhibition covers the Laboratorio Arte Alameda March 17 to May 11, 2010. For more information check the site Festival Mexico 2010.

Fmx (in) dynamic position Ars Electronica Zee